In this film the director Terence Davies, a long-time Ealing fan and a former student of the studio’s most celebrated director, Alexander Mackendrick, talks about his love for two Ealing comedy greats – Mackendrick’s The Ladykillers (1955) and Robert Hamer’s Kind Hearts and Coronets (1949).
Terence Davies is one of Britain’s most accomplished and respected film directors. His debut feature, Distant Voices, Still Lives (1988), was named one of the 100 greatest British films of the 20th century in the BFI’s 1999 poll. His critically-acclaimed later films include The Long Day Closes (1992), The House of Mirth (2000) and The Deep Blue Sea (2011).
Read more about Ealing Studios at http://www.bfi.org.uk/archive-collections/archive-projects/ealing-light-dark